After being awarded the prestigious title of RAM Fellowship from the Royal Academy of Music, Yevgeny Sudbin gratefully accepts invitation of Visiting Professorship where he will be visiting each term to give private lessons as well as master classes.

"Deeply rooted respect for the composer is the necessary ingredient from which any individuality and original thought later springs to live I believe."

Yevgeny Sudbin talks to Musical Opinion about his Beethoven Recording Project after his releases for the Swedish label BIS received world-wide critical acclaim, awards and commercial success. Read more...

Yevgeny Sudbin hasn't looked back since the release of his critically acclaimed Scarlatti debut in 2005. Five years and five recordings later, and having just signed up for a further 14 discs, he tells Edward Bhesania the story so far. Great Expectations is the feature article in International Piano magazine.

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Yevgeny talks to Geoffrey Norris about the challenges of playing Chopin and his practice habits in an interview in the Evening Standard.

Sudbin becomes one of BIS's best-selling artists

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With his second concerto disc, Yevgeny Sudbin celebrates the close relationship between two great Russian composers: Sergei Rachmaninov and Nikolai Medtner. The composers dedicated the two works two each other as a testimony of mutual respect and admiration. Receiving wonderful support from North Carolina Symphony, conducted by Grant Llewellyn. Order & receive CDs autographed from artist

Yevgeny Sudbin talks to Willem Boone about Scarlatti, Haydn, Medtner, Rachmaninoff, Scriabin, the virutes of slow practice and stagefright

Read full interview here

Yevgeny is making his New York concerto debut at Mostly Mozart in New York at the Avery Fisher Hall on the 14th and 15th of August. He will be performing Beethoven's 4th Piano Concerto with Osmo Vänskä.

Yevgeny signs a new contract with Swedish record company BIS, two years before the old one runs out.

Listen to the Wigmore Hall recital broadcast on BBC Radio 3. Available now.

Upcoming is Sudbin's debut with the San Francisco Symphony Orchestra under Vladimir Ashkenazy performing Beethoven's 4th Piano Concerto.

Yevgeny Sudbin stands out among his generation as a young pianist with great sensitivity, imagination and musical insight. To mark the release of his CD featuring Scarlatti keyboard sonatas, he talks to Chloe Cutts about these 'original and happy freaks'.

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Listen to the live performance of the rarely heard Rachmaninov's 4th Piano Concerto in its original 1926 version with Ilan Volkov conducting and the BBC Scottish Symphony Orchestra.

"From the opening octave cascades to the tender warmth of the first theme, and on to its filigree development, Sudbin's playing had the delicacy of the composer's own of this work, and his dynamics were calibrated with comparable finesse. Abetted by Yan Pascal Tortelier and the BBC Philharmonic, the second movement's Chopinesque mood came gracefully across, while the springtime charm of the closing allegro was irresistible."

Yevgeny Sudbin is playing a Prom on the eve of his wedding. He talks to Geoffrey Norris.

Yevgeny Sudbin talks to Michael Church

Stephen Hough and Yevgeny Sudbin in conversation with Jeremy Nicholas about the upcoming Rachmaninov piano concertos series at the Prom
Read the ineterview: part 1, part 2

Yevgeny performs and talks to Sean Rafferty about Haydn, Ravel and the benefits of vacuum cleaning

Scriabin recording wins the 2008 MIDEM Classical Award for the Best Instrumental CD of the Year

Pianist Yevgeny Sudbin discovers that getting too caught up in Scriabin's music can bring you to the brink of madness.

Read Gramophone article

Read Full Interview

Concertos recording short-listed for the Gramophone Award 2007

Demidenko, Frith, Katin, Lester, Scherbakov, Staier and Sudbin discuss various aspects of Domenico Scarlatti with Jeremy Siepman

Read: page 1, page 2, page 3, page 4, page 5, page 6, page 7

Discussing the challenges of coupling one of the most and one of the least popular piano concertos. Jeremy Nicholas meets to discuss Yevgeny Sudbin's first concerto recording. Read the Gramophone Interview in full

Sudbin talks to the Pianist Magazine about performance & as well as the virtues of long-distance travel.

By Inge Kjemtrup

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"I don't want to be the next Horowitz. I would like to be the first Sudbin. I am afriad of this comparison because 'The Next Great Thing' never lasts." - Singapore, Straits Times

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"A Superstar of Tomorrow? Of course...but playing like his makes such titles seem irrelevant" - Gramophone Feature

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